调式级数 Mode Numeral | 调式名称 Mode | 和弦名称 Chord | 音阶架构 Scale structure | 调性特征 Characteristic Tone | 调性构成音 Tonal Tone | 调式构成音 Modal Tone |
Diatonic | ||||||
i | Aeolian | Cm7 | 1, 2, b3, 4, 5, b6, b7 | Reference ( b6 ) | 1, 4 & 5 | 2, 3, 6 & 7 |
ii | Locrian | Dø/Dm7b5 | 1, b2, b3, 4, b5, b6, b7 | b5 | N/A | N/A |
III | Ionian | EbΔ7 | 1, 2, 3, 4, 5, 6, 7 | 7 | 1, 4 & 5 | 2, 3, 6 & 7 |
iv | Dorian | Fm7 | 1, 2, b3, 4, 5, 6, b7 | 6 | 1, 4 & 5 | 2, 3, 6 & 7 |
v | Phrygian | Gm7 | 1, b2, b3, 4, 5, b6, b7 | B2 | 1, 4 & 5 | 2, 3, 6 & 7 |
VI | Lydian | AbΔ7 | 1, 2, 3, #4, 5, 6, 7 | #4 | N/A | N/A |
VII | Mixolydian | Bb7 | 1, 2, 3, 4, 5, 6, b7 | B7 | 1, 4 & 5 | 2, 3, 6 & 7 |
Harmonic | ||||||
I | Aeolian #7 | C-Δ/CmMaj7 | 1, 2, b3, 4, 5, b6, 7 | Reference(7) | 1, 4 & 5 | 2, 3, 6 & 7 |
ii | Locrian #6 | Dø/Dm7b5 | 1, b2, b3, 4, b5, 6, b7 | 6 | - | - |
III | Ionian #5 | EbΔ7#5 | 1, 2, 3, 4, #5, 6, 7 | #5 | - | - |
iv | Dorian #4 | Fm7 | 1, 2, b3, #4, 5, 6, b7 | #4 | - | - |
V | Mixolydian b9b13 | G7 | 1, b2, 3, 4, 5, b6, b7 | b7 | - | - |
VI | Lydian #2 | AbΔ7 | 1, #2, 3, #4, 5, 6, 7 | #2 | - | - |
vii | Diminished bb7 | Bo7/Bdim7 | 1, b2, 3, b4, b5, b6, bb7 | bb7 | - | - |
Melodic | ||||||
I | From C Melodic Minor scale | C-Δ/CmMaj7 | 1, 2, b3, 4, 5, 6, 7 | Reference(6) | 1, 4 & 5 | 2, 3, 6 & 7 |
ii | Dorian b2 Phryg chord From F Melodic Minor scale | Dm7/Dsusb9 Dø/Dm7b5 | 1, b2, b3, 4, 5, 6, b7 1, 2, b3, 4, b5, 6, b7 | b2 | - | - |
III | Augmented Lydian | EbΔ7#5 | 1, 2, 3, #4, b5, b6, 7 | b6 | - | - |
IV | Dominant Lydian Mixolydian #11 | F7#11 | 1, 2, 3, #4, 5, 6, b7 | #4 | - | - |
V | Mixolydian b13 Altered scale From Ab Melodic Minor scale Abo7+G=G7b9 | G7 G7alt | 1, 2, 3, 4, 5, b6, b7 1, b2, b3, b4, b5, b6, b7 | b7 | - | - |
vi | Locrian #2 | Aø/Am7b5 | 1, 2, b3, 4, b5, b6, b7 | 2 | - | - |
vii | Super-Locrian Altered Scale Half-Diminished Scale | Bø/Bm7b5 B7alt | 1, b2, #2, 3, b5, #5, b7 ( 1, b9, #9, 3, #11, b13, b7 ) | #2 | - | - |
DLL 发表于 21-12-23 19:06
旋律小调第二调式Dorian b2 的和弦写法有误,主和弦应该写成Dm7b9,和弦结构是1 b3 5 b7 b2,b2并没有代替3 ...
Malstromer 发表于 21-12-23 19:49
感谢您的回帖和建议。非常,非常感谢。
首先,旋律小调本身变化性比较强,毕竟古典乐理也有上行 ...
Malstromer 发表于 21-12-23 20:37
感谢你的回复和指教。没有,没有,没有情绪化的内容,感谢你也关心我的感受,这也是我非常喜欢这个论坛的原 ...
DLL 发表于 21-12-23 20:47
也多亏有这样的化境可以不顾颜面的认真交流,现实中大概率没有机会,估计早打起来了。
我这就去 ...