Cubase / Nuendo

有图片给大家看了！look ——







At Steinberg, we believe that versatility is one of the hallmarks of professional audio software. Nuendo doesn't just offer a host of features for audio production, such as radio broadcasting, multimedia, music, surround mixing and post production. It is customizable for any of those purposes, giving you the clearest oversight possible over your project and optimizing your workflow.

How does the latest version of Nuendo implement this philosophy? To start with, Nuendo 2.0 lets you set up a project the way you want it. All program menus are user-configurable, enabling you to hide all features you usually do not use or just currently do not need for a specific kind of production. For example, if you don't need MIDI functions for a 10.2 surround mix, you can hide all MIDI menu entries, disable the corresponding key commands and assign these preferences to a template. Do you really need to have video-related menu entries if you are using Nuendo for music production? Simply hide them and design the interface that you need yourself. All hidden features are still waiting in the background in case you will need them in the future.

But Nuendo does not stop here. You can also configure the controls for each track to suit your personal way of working. If, for example, you are engaged in audio recordings, Nuendo can instantly be adapted as a pure audio tracker with only a record and a monitoring button on each track. After finishing your recordings you can "unhide" additional functionality as it is needed or switch to a template which immediately gives you access to all track controls again. Nuendo 2.0 lets you do not just what you want, but also choose how you want to do it.





With VST System Link and the new option to integrate IP network collaboration, Nuendo 2.0 features a huge range of functions dedicated to maximize computer processing potential and manpower for your project. Using any of the two technologies alone or combining them has can vastly increase efficiency in your project workflow.

Adding processing power to your project can easily be achieved with VST System Link which was introduced with Nuendo 1.6. This technology is based on transmission of sync and transport commands via simple digital audio connections and allows multiple computers to run in sample accurate sync without the need for additional hardware. Not only can CPU intensive tasks of larger projects like effect processing, video or virtual instruments playback be outsourced to selected exclusive computers. Large projects can also be allocated to various computers in order to permit simultaneous playback of hundreds of audio and MIDI tracks from a range of different computers in sample-accurate synchronization.

Adding manpower to your project to enhance the working speed is also part of the new Nuendo 2.0. An array of powerful new networking capabilities allows true networking and team-working on any kind of project, from post-production to music, from multimedia to game sound design. This new networking technology supports the full range of editing tools over a network, on projects, audio, MIDI and even video tracks. It allows users to connect multiple Nuendo workstation computers via standard LAN network cards. The system supports simple and fast connection of several standalone computers. Complete management of access rights and user groups makes it easy to collaborate on large-scale projects. An entire project or just selected tracks can be opened on multiple computers for other members of the network to access and edit.

For example, after the first video copy has been placed in a master project template location, the sound editor and sound designers can start preparing their tracks for mixing even while additional recordings (such as music and dialog) are still being made. Once these are done, additional editors can join the same project template and add their work to it. Throughout the entire course of building the final mix, the project owner has the ability to monitor the work in process and evaluate the quality of the sound. In a bigger production facility, Nuendo 2.0 allows for central data management on a server. This enables multiple Nuendo workstations to access several projects, including all audio and video files and the company sound library. Editors can be freed from the process of data backup, which can instead be initiated by the system administrator. In a world of high-speed Internet connections, Nuendo workstations can even join a project via the Internet.








From input to final mix, Nuendo 2.0 is all about surround, with multichannel architecture through the entire signal path. Every input, audio track, effect, group and output now offers up to 12 discrete channels, ready for full-scale 5.1, 7.1, or even 10.2 productions. To make routing in the project even more transparent, Steinberg has developed a new way of organizing inputs and outputs, allowing the user to customize multichannel input/output configurations and switch between them with a single keystroke.

Several input and output busses can also be utilized at the same time, with any type of configuration possible - mono, stereo or any of a wide range of surround formats - and any track can be routed to and from any of these busses. Nuendo 2.0 even allows switching between multiple monitoring configurations (speaker arrangements) and can simulate a wide variety of end user monitoring environments.

Nuendo 2.0 offers the most flexible mixing experience in digital media production. Its 32 Bit floating point mixer has been completely re-engineered and now features multiple multichannel input and output busses. This new architecture allows for recording in either split or interleaved surround audio file formats and makes managing a surround project easier than ever before — Nuendo 2.0 always keeps track of which part of the signal chain is multichannel and which is simply stereo or mono.

The new mixer itself is user-configurable, allowing you to choose between a variety of display options. Above the normal mixer with the fader section you can display either insert effects, effect sends, EQs or an additional view with input and output settings including gain change and phase shift per channel. The mixer is also available in a narrow view for simultaneous display of many channels.

Nowhere are the improvements in mixing more apparent than in signal routing for virtual effect processors. The new version of the world-standard Steinberg VST technology provides complete flexibility in signal routing to and from virtual effects for each and every track. Nuendo 2.0 even adds effect return channels which feature the full parameter set of regular channels and of course the complete mixer has full delay compensation throughout the complete signal path.

（这玩意老早就有了，这次改头换面又出来了。）


（这个东西也是，老）



Unlimited processing of audio files is one the greatest advantages of digital audio environments. To support you in getting the best out of your project, Nuendo offers a huge list of audio processes and supplies you with an impressive collection of virtual effect processors. Nuendo 2.0 includes a huge array of virtual effects, ranging from standard dynamic processing and filtering to creative modulation effects or restoration processors. If your project needs anything exotic or special you can choose from a wide range of VST or DirectX plug-ins available from well-known manufacturers like TC, Native Instruments or Waves. Of course, all these plug-ins can be used both online or offline, and as many instances can be loaded as your computer can handle.

If you are using MIDI, Nuendo also offers the latest Steinberg technology to create sounds hitherto unheard of. Arpeggiators, chord processors and many other plug-ins are included that manipulate the dynamics, pitch and time elements of MIDI events, as well as three unique virtual instruments to create warm analogue layers or play back powerful drum samples. The integration of the VST interface opens Nuendo up for additional software samplers like Steinberg's award-winning HALion Sampler, synthesizers like the brand new PLEX by Steinberg and Wolfgang Palm or other virtual instruments by third party manufacturers.

Audio Plug-ins:
Stereo Virtual Effect Processors: Flanger, Phaser, Overdrive ,Chorus, Symphonic, Reverb A, Reverb B, QuadraFuzz, SPL DeEsser, Double Delay, ModDelay, Dynamics, datube, Chopper, Transformer, Metalizer, Rotary, Vocoder, StepFilter, Bitcrusher, Ringmodulator, Grungalizer, MIDI Gate, UV22 HR (Apogee), MultibandCompressor, Scope, Q, Magneto, DeNoiser, DeClicker

Surround Plug-ins:
MatrixDecoder, MatrixEncoder, Mix8To2, Mix6To2, SurroundPan, MultiDither, Downmix Manager

MIDI plug-ins:
Arpache5, Autopan, Chorder, Compress, Control, Density, MicroTuner, MidiEcho, Note2CC, Quantizer, StepDesigner, TrackControl, TrackFX, Transformer

Virtual Instruments:
VB-1, LM-7, A1













Nuendo now features extensive MIDI and scoring capabilities.

The fully reengineered MIDI device handling makes it even easier to set up and configure MIDI devices for use with Nuendo. The large range of MIDI editors (Drum, Logical, SysEx, List and Score) make editing MIDI information in Nuendo more intuitive than ever before. The raft of new MIDI plug-ins such as Quantizer, MIDI Echo and Compressor ensure more creative possibilities and flexibility when working with MIDI, be they external devices or one of the included virtual instruments. The MIDI plug-ins are all directly reachable from the Project Window, taking MIDI within Nuendo to a new level of accessibility.

The Nuendo automation system also extends to all MIDI parameters, letting you draw MIDI automation data with any of the mathematical shape tools. Multiple controller lanes within the editors give you a clear oversight over your MIDI data, as all data can now be displayed on the same page. The integrated Score editor with Score layout functionality enables you to edit in the world of crotchets and quavers, letting you create professional scores.

Editing can be considered as the backbone of any digital workstation. That's why Nuendo 2.0 has a powerful editing engine, with unlimited undo/redo as a standard asset. Not only can you undo cuts, fades or other basic edits, but also bouncing, offline processing and removal of complete tracks can be undone. The Edit History window lists all actions made on your project down to every single event, ready to undo or redo by moving a handle to the point where you want to work from. Even track and event commits from other editors over a TCP/IP network are listed here.

Every single audio file listed in the pool or used in the project window has its own offline process history. All processing carried out on a file can be removed, changed or replaced by another audio process or plug-in, no matter how much processing has taken place in the meantime. All later processes will be reprocessed automatically for you.
These lists of offline processes can be stored as a batch enabling you to apply the exact same process batch to any file you need to process later. Of course the batch allows for adjustments of the parameters and easy storing of the altered batch settings. That the usage of VST and DirectX plug-ins can also be included in these processing lists goes without saying.

Nuendo 2.0 also supports various kinds of editing styles, depending on your work style. Traditional cuts, nudging, trims and fades can be made using a variety of tools: object based, range based or using a jog wheel from any of the supported remote controllers. Mouse, keyboard or remote control can be used separately or combined for optimal workflow speed.

Nuendo 2.0 now allows scrubbing of all audio at the same time as well as scrubbing the video track. Various forward and backward scrubbing speeds are supported, and can be executed from a specific wheel on the Nuendo transport bar or by the jog or shuttle wheel of a supported remote controller or mixing desk like the Yamaha DM 2000 or O2R 96K. Fast locating, trimming and scrubbing of video and audio could not be easier.

All editing of your project can not only be performed in the sample accurate project window which features a set of comfortable zooming features. You can also do all editing within the integrated sample editor. This opens an additional range of features guaranteeing an even faster workflow: easy creation of regions, bouncing these into a library, creating processed regions or tuning sync points by scrubbing the audio with them. Nuendo offers all this plus a smart hitpoint detection feature for fast locating of audio peaks, adapting grooves and creating groove templates in the sample editor which, of course, supports full drag and drop to tie up with the Project Window.

Everything mentioned so far is just a few of the editing options included with Nuendo 2.0. But there is so much more. You are able to replace the event's content by easy drag and drop, slip the content, adjust fades and events while scrubbing the video, trim event levels of multiple events or bounce sections of a track faster than real-time.
Nuendo 2.0 assures that your edits can be done faster and more flexibly than ever before.

很漂亮！

我想了很长时间也没想清楚，Steinberg究竟更爱哪个孩子？

他这样做是为什么？？？？

到底为什么？？？

界面变化不大吗

我喜欢。。。

天！~~~晕倒！！！~~~~

NBNBNBNBNB~~~~越做越象cubase sx~~~~象双胞胎一样！~~

请问有没有五线谱窗？

到底用Nuendo还是Cubase？有什么区别？Steinberg是为了争取市场份额吗？:confused: 有什么本质区别？？？？

隆肿期待她D下崽!!!

Steinberg怎么回事？Nuendo2把MIDI编辑也搞掂的话，那谁还要Cubase？

I thought 驴半仙 didn't like Nuendo???

其实，我觉得 Nuendo & SX 的强点就在MIDI 和 音频 同时用在一个文件。 这样，VST 的效果器会根据原MIDI 的节拍控制，VSTi 自动伴奏 （跟着节拍)， 后期 根据原节拍来编辑录好的音频 （比如移动音频块〕（就不用自己找准确的位置〕。
It is just great.
日！